I play music in a place called Bedrock, L.A.
It’s in Echo Park.
I play music in a part of town with Echo in its name.
I think Bedrock used to be some sort of factory. There’s an old-timey conveyor belt installed next to the metal stairs that lead to the second floor. Rob told me you can put your gear on it and it will convey it to the top for you.
I didn’t believe him. I think it doesn’t work.
Bedrock has dozens of practice rooms. It also has a game room with pinball, video games and air hockey and a professional recording studio. There’s a front office where you can buy strings, rent gear and pay a dollar for shitty earplugs.
I always pay a dollar because I always forget where I left my shitty earplugs I bought the last time.
My favorite thing about Bedrock is when you first walk in. The parking lot is full of cars. If you park behind a car you have to let the office know where you will be so you can move if the person in front of you needs to leave.
All of the cars are beat up and old. That’s how you know real musicians come here.
You see all sorts of people hanging out at the picnic tables on the loading dock. Grunge guys, death metal, electro-pop. folk, and even some traditional mexican music groups. They all hang out and smoke and drink and are pretty friendly.
I like saying hi to whoever’s there, but that’s not the best part.
The best part is walking to our room.
Our practice room is on the second floor, so we have to carry my gear through the labyrinthine first floor, up the stairs and then through the long hallways of the second floor until we finally get to room 85.
Since bedrock is predominantly a practice space, none of the rooms are very sound proof. You can hear everything everyone is playing. All the sounds, the rhythms, the melodies, the lyrics. You can hear the collaboration and the fights. The arguments and the “dude, that was sweet”s.
You can hear the music.
That’s not my favorite part.
My favorite part is imaging what’s behind the door.
Who’s in the rooms.
I carry my amp past an orange door. Electronic music that sounds like a west coast CHVRCHES blasts through the cracks, and then , as if through a porthole, I see two women standing at synthesizers.
They’re dressed in ragged tank tops, black and white, and have half their heads shaved. One of them wears a lot of bracelets. The other one has tattoos.
They bob up and down with the music, turning knobs and pressing buttons in perfects synchronization. They never look at each other. They don’t say anything. They’re familiar with each other. More than familiar.
The song ends and the hug. It’s a familiar hug. More than familiar?
They might kiss then, but I don’t think they do. They’re too excited. The new track rules. I heard it through the door and I agree. It does rule.
They laid on their ratty, red couch the light before. Bracelets’ head was in tattoo’s lap. Tattoo had a legal pad and they were writing down lyrics.
Lyrics or poetry? What’s the difference. I’m not sure.
They’re not fighting. Not this night. They’re synchronized, just like they will be the night before. Tattoo says something funny and bracelets hits her. It’s a gentle hit.A familiar one.
It reminds me of a time I stood on top of a giant rock in St. Andrews, Scotland. I wore a trench coat and a red scarf. It was a nice day and so I my coat unzipped.
I hated zipping it up. My coat was tan. I always thought people would think I was a flasher.
There were just enough clouds in the sky to be gorgeous and I looked along the coastline.
My, how different it was from Florida. Florida is full of things, and it’s beautiful because of them. Scotland is full of nothing and beautiful because of it. A friend of mine once got mad at me because I told him Scotland was more beautiful than Hawaii.
“Hawaii has palm trees and waterfalls and volcanoes and is green! It’s gorgeous. What does Scotland have?”
“None of that,” I answered. I took a bite of the Thai red curry I was eating.
“Exactly,” He said. I think he crossed his arms.
“Exactly,” I agreed. He made a face, and I smiled.
They start up a new song and my hand gets tired. I shift the amp to my left arm and keep going.
I pass another door. Drums blast through the cheap wood. A syncopated beat. Bum bum bum BAP bum, bumbumbumbumbum BAP bum. Ratta ta tatta ta tatta ta bum bum bum BAP bum, bumbumbumbumbum BAP bum.
I hear the clack of sticks slamming down on the snare’s rim and someone yelling “fuck”.
He’s got long hair, not because he likes it, but because he doesn’t have time for hair. He doesn’t have time for anything except his job. That’s why he’s somehow both thin in some spots like his arms but overweight in other spots like his waist.
He’s an accountant and he’s been putting in the extra hours because Kate had told him there was talk of giving him a promotion. He stayed at his desk so late for so long that the light bulb burned out of his lamp. The whole office was dark and he had to wander around using his phone as a flashlight until he found the office supplies and got a new light bulb.
He could only find a fluorescent. He hated the slightly green light it throws over his spreadsheets, but he knew that he’d have his own office soon and could put whatever lights he wanted in there.
His girlfriend wouldn’t stop calling him. He didn’t answer. He had to get the spreadsheets done. He just avoided her.
He couldn’t avoid her when he got home at two AM. Well, he didn’t actually see her. He saw her note, though, and the angry, jagged writing. He saw the wet spots on the paper, and he went into the bathroom and saw the extra space, saw that half the sink was now empty, saw a small colony of bacteria that until three hours ago was hidden by the charging station for her electric toothbrush.
He took the next day off work and rented out a practice space.
He hadn’t played drums for years.
Not since high school, when he and his friends would sit in the attic and smoke weed and listen to led zeppelin in the dark and dream about the future. It was easy back then. It was too easy. All he did was dream.
He bangs on the drums so hard I worry he’s going to pierce the floor tom’s head.
That’s none of my business, though.
Hell, it might not even be real.
Rob and I make it up to our room and we play our hearts out. The stress of the week melts away. I float in the freedom of not worrying about my book, not worrying about my bills, not worrying about if I never make it as a writer, not worrying about being single, not worrying about getting my teeth fixed, not worrying about anything but rhythm and scales and math and tone and fuzz and fucking crushing heads.
Rob and I come up with a new song and, from that song, come up with what we actually want our band to be. “It’s black Sabbath mixed with Zep mixed with Pentagram and Graveyard and High on Fire.”
“Basically everything we like,” I agree.
“It’s like party music for the seventies,” Rob says, “but at a cool house party.”
“I want people in pool halls to fight each other when this song comes on,” I agree.
“What?” Rob makes a face.
“But in a cool way,” I clarify.
There’s a knock on our door.
I open the door. A scary ogre stands in front of me. He’s got a beard down to his belt and a shaved head. Leather vest and wife beater. Tattoos everywhere.
He does a quick double take. I just stare at him.
“You guys sound good,” he says.
“You don’t really look like what I thought you’d look like.”
Rob and I look at each other. “How’d you think we’d look.”
He shrugs. “I was listening at the door. I didn’t want to interrupt the jam. Just thought you’d look… different.”
“You parked behind me. Could you move your car?” He asked this in the nicest way possible.
The tree of us left the room and walked down the long hallway and through the labyrinth below. Music drifted all around us. We’d sometimes stop and listen at the doors, each of us imagining a different thing behind them, but each of us enjoying the same music.
We didn’t say anything.
We just shut our eyes and listened.
Listened in the dark of our own eyelids.
Listened and dreamed.